Disaspora Bingo
"But you're a good driver?", "You're a coconut", "Eurasians are hot" - to the Asian Australians…
Carriageworks
Matthew Sleeth’s ‘A Drone Opera’
In this day and age, you can’t deny that we’re a society dominated by new media…
Intensity and improvisation – Open Frame
Open Frame is a project held by Room40 and Carriageworks focused on the nexus between sound,…
Review: Neneh Cherry, Sydney Festival
NENEH CHERRY TUESDAY 15 JANUARY 2019 CARRIAGEWORKS, SYDNEY FESTIVAL Review by PARIS POMPOR From budding '70s…
Review: Ben Frost, Carriageworks
BEN FROST SATURDAY 12 JANUARY 2019 CARRIAGEWORKS, SYDNEY FESTIVAL Words: PARIS POMPOR Photos: VICTOR FRANKOWSKI There were…
Adam Lazarus and his show Daughter
Adam Lazarus joins Stages in this compelling interview about his show Daughter for Sydney Festival. He's…
Sydney Dance Company’s PPY18 Revealed Showcase
For a lot of us, our interaction with dance doesn’t go past the club dancefloor or…
LE DERNIER APPEL (THE LAST CRY)
Australian and New Caledonian First Nations dancers and feature designs encapsulate New Caledonia's upcoming referendum in …
Sydney Writers Festival
The Sydney Writers Festival returns for its 21st year an exciting and jam-packed week of talks…
Interview with Annette Shun Wah about THE BACKSTORIES: MOYA DODD
In this interview Annette Shun Wah joins Regina on Stages to talk about the show:- THE…
Whist a Sydney Festival event
Aoi Nakamura joins Stages in the studio to talk about WHIST Inspired by Sigmund Freud’s real…
Carriageworks 2018
Carriageworks has released their dynamic 2018 Program with a larger focus on artistic mediums stretching from…