SFF 2018: Review – Zama
Zama is a very sedately paced, Heart of Darkness style story in an 18th century Spanish…
Sydney Film Festival
SFF 2018: Review – A Mother Brings Her Son to be Shot
This Irish documentary from Sinéad O'Shea kicks off with a confronting display where a child shows…
SFF 2018: Interview – Writer/director Steve Jaggi on Chocolate O...
Weekend Breakfast Producer Connor Nimmons caught up with Director Steve Jaggi to chat about his new…
Gaggle of Geeks: The Breaker Upperers
Need a bit of help breaking up with someone? Step in The Breaker Upperers who will…
SFF 2018: REVIEW – THE SEEN AND UNSEEN
Most stories are better without a sledgehammer to drive it’s point home, though subtlety doesn’t always…
SFF 2018: REVIEW – DON’T WORRY HE WON’T GET FAR ON F...
The presence of the ever-talented Joaquin Phoenix is enough to recommend a movie, even this one.…
SFF 2018: Review – Number 37
There have been a lot of adaptations, homages or films otherwise inspired by Rear Window; Number…
SFF 2018: Review – Upgrade
Upgrade is a B-Movie and when the audience and the film itself embraces this, everyone is…
SFF 2018: Review – Beautiful Things
Beautiful Things opens with some striking rural vistas and a very annoying toy robot. The broad…
SFF 2018: Review – Jirga
An extraordinary journey into the heart of Afghanistan in more ways than one. In Jirga we…
SFF 2018: Interview – Isabella Eklöf, director of Holiday
In Holiday, a new Danish film playing at the Sydney Film Festival, a young woman, Sascha,…
SFF 2018: Documentary reflects on land rights case Wik vs Queensland
The groundbreaking 1996 High Court case of Wik vs Queensland is the subject of a new…