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Sydney Film Festival

SFF 2018: Interview – Huang Hsin-Yao, director of The Great Budd...

The Great Buddha + is a dark Taiwanese social satire that follows men on the fringes…

Celluloid Dreams

SFF 2018: Interview – Marcello Martinessi, director of The Heire...

The Heiresses is a new Paraguayan drama examining class and love among elder aristocratic women. The…

Celluloid Dreams

SFF 2018: Interview – Nandita Das, director of Manto

Saadat Hasan Manto was one of the most prolific writers to emerge from the subcontinent in…

Celluloid Dreams

SFF 2018: Interview – Ant Timpson, producer of The Field Guide t...

As part of the Freak Me Out strand at Sydney Film Festival, The Field Guide to…

Celluloid Dreams

SFF 2018: Interview – Pengfei Song, writer/director of The Taste...

The Taste of Rice Flower is a new Chinese film screening this Sunday at the Sydney…

Celluloid Dreams

SFF 2018: Samui Song

You probably saw that coming, but it won’t matter. Thai filmmaker Pen-Ek Ratanaruang’s latest could laxly…

Celluloid Dreams

SFF 2018: Review – RocKabul

Film festivals are always good for  challenging aspects of life that you may have only seen…

Celluloid Dreams

SFF 2018: Interview – Pen-ek Ratanaruang, writer Director of Sam...

Samui Song is a new thriller from Thailand in the film noir tradition, screening at the…

Celluloid Dreams

SFF 2018: Review – America Town

America Town opens with a view of a snow covered field strewn with condoms and US…

Celluloid Dreams

SFF 2018: Movie Review – Upgrade

Who doesn't love an Upgrade?

Celluloid Dreams

SFF 2018: Meet Sunday Emerson Gullifer, recipient of a Lexus Australia...

The Lexus Australia Short Film Fellowship is the largest cash fellowship for short film in Australia,…

2SER Breakfast

SFF 2018: Review – Samui Song

Noir is a well worn path so there needs to be something new added to make…

Celluloid Dreams

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