SFF 2018: Samui Song
You probably saw that coming, but it won’t matter. Thai filmmaker Pen-Ek Ratanaruang’s latest could laxly…
Sydney Film Festival
SFF 2018: Review – RocKabul
Film festivals are always good for challenging aspects of life that you may have only seen…
SFF 2018: Interview – Pen-ek Ratanaruang, writer Director of Sam...
Samui Song is a new thriller from Thailand in the film noir tradition, screening at the…
SFF 2018: Review – America Town
America Town opens with a view of a snow covered field strewn with condoms and US…
SFF 2018: Movie Review – Upgrade
Who doesn't love an Upgrade?
SFF 2018: Meet Sunday Emerson Gullifer, recipient of a Lexus Australia...
The Lexus Australia Short Film Fellowship is the largest cash fellowship for short film in Australia,…
SFF 2018: Review – Samui Song
Noir is a well worn path so there needs to be something new added to make…
SFF 2018: Review – Westwood: Punk, Icon, Activist
Westwood tells the story of Vivienne Westwood, the designer that exploded with punk and had an…
Why is Closed Captioning Important?
When you go to the movies, you could be forgiven for not noticing if your session…
SFF 2018: Review – BEIRUT
Not even trying to be too realistic, your thriller of the week has taken a trip…
SFF 2018: Strange Colours – From Venice to Sydney
Sydney Film Festival is back for 2018! One of the films featured is Strange Colours, which…
SFF 2018: Review – SEARCHING
Before anyone says anything – we’re already looking at screens all day. Taking place entirely on…