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Sydney Film Festival

SFF 2018: Review – JIRGA

Defying stylistic convention as that which would typically be associated with parts of rural Afghanistan, Jirga…

Celluloid Dreams

SFF 2018: Review – TOWER. A BRIGHT DAY

Sometimes, subtlety doesn’t actually help. A family reunion in a small Polish village isn’t your usual…

Celluloid Dreams

SFF 2018: Film Fight Club Sydney Film Festival Special 1

It's film nerd Christmas. Glen, Chris and Virat were very excited to punch on with a…

Celluloid Dreams

SFF 2018: Review – A Season in France

Still disturbed by nightmares, and easily spooked by unexplained sounds, Abbas is waking up in the…

Celluloid Dreams

SFF 2018: Interview – Rosie Lourde, actress in Chocolate Oyster

Chocolate Oyster is an Australian indie comedy premiering tonight at the Sydney Film Festival. Shot in…

Celluloid Dreams

SFF 2018: Review – Zama

Zama is a very sedately paced, Heart of Darkness style story in an 18th century Spanish…

Celluloid Dreams

SFF 2018: Review – A Mother Brings Her Son to be Shot

This Irish documentary from Sinéad O'Shea kicks off with a confronting display where a child shows…

Arts & culture

SFF 2018: Interview – Writer/director Steve Jaggi on Chocolate O...

Weekend Breakfast Producer Connor Nimmons caught up with Director Steve Jaggi to chat about his new…

Weekend Breakfast

Gaggle of Geeks: The Breaker Upperers

Need a bit of help breaking up with someone? Step in The Breaker Upperers who will…

CARVE

SFF 2018: REVIEW – THE SEEN AND UNSEEN

Most stories are better without a sledgehammer to drive it’s point home, though subtlety doesn’t always…

Celluloid Dreams

SFF 2018: REVIEW – DON’T WORRY HE WON’T GET FAR ON F...

The presence of the ever-talented Joaquin Phoenix is enough to recommend a movie, even this one.…

Celluloid Dreams

SFF 2018: Review – Number 37

There have been a lot of adaptations, homages or films otherwise inspired by Rear Window; Number…

Celluloid Dreams

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