SFF 2018: Review – JIRGA
Defying stylistic convention as that which would typically be associated with parts of rural Afghanistan, Jirga…
Sydney Film Festival
SFF 2018: Review – TOWER. A BRIGHT DAY
Sometimes, subtlety doesn’t actually help. A family reunion in a small Polish village isn’t your usual…
SFF 2018: Film Fight Club Sydney Film Festival Special 1
It's film nerd Christmas. Glen, Chris and Virat were very excited to punch on with a…
SFF 2018: Review – A Season in France
Still disturbed by nightmares, and easily spooked by unexplained sounds, Abbas is waking up in the…
SFF 2018: Interview – Rosie Lourde, actress in Chocolate Oyster
Chocolate Oyster is an Australian indie comedy premiering tonight at the Sydney Film Festival. Shot in…
SFF 2018: Review – Zama
Zama is a very sedately paced, Heart of Darkness style story in an 18th century Spanish…
SFF 2018: Review – A Mother Brings Her Son to be Shot
This Irish documentary from Sinéad O'Shea kicks off with a confronting display where a child shows…
SFF 2018: Interview – Writer/director Steve Jaggi on Chocolate O...
Weekend Breakfast Producer Connor Nimmons caught up with Director Steve Jaggi to chat about his new…
Gaggle of Geeks: The Breaker Upperers
Need a bit of help breaking up with someone? Step in The Breaker Upperers who will…
SFF 2018: REVIEW – THE SEEN AND UNSEEN
Most stories are better without a sledgehammer to drive it’s point home, though subtlety doesn’t always…
SFF 2018: REVIEW – DON’T WORRY HE WON’T GET FAR ON F...
The presence of the ever-talented Joaquin Phoenix is enough to recommend a movie, even this one.…
SFF 2018: Review – Number 37
There have been a lot of adaptations, homages or films otherwise inspired by Rear Window; Number…