Phantom Dancer :: 5:00pm 12th Oct 2019
Original air date - Phantom Dancer :: 12:00pm 8th Oct 2019
COUNT BASIE
The American jazz pianist, organist, bandleader and composer led his orchestra for almost 50 years from 1935, creating innovations like the use of two split tenor saxophones, emphasizing the rhythm section, riffing with a big band and using arrangers to broaden their sound. This week's Phantom Dancer presented by Greg Poppleton features a set of Count Basie from 1956, the year he was voted America's No. 1 rock'n'roll band.ONLINE
This week's Phantom Dancer will be online right after the 107.3 2SER Sydney live mix at 2ser.com. Hear the show live every Tuesday 12:04-2pm on 107.3 2SER SydneyROCK'N'ROLL
When did rock begin and what is rock is a debate that still continues. On the one hand, writers will point to nineteenth century songs using the words rock and roll and day, "there!". Today, if a singer uses a different chord in the usual pentatonic scale of rock, or dresses differently, it becomes a whole new genre. However, as a defined commercial musical type, the mid-1950s is generally agreed to be the time it hatched from the egg in which it was laid. And 'what was rock then', can generally be defined through surviving records and radio broadcasts as whatever influential DJ, Al Freed, spotlighted.SWING CAN BE ROCK?
Well, not really. Swing gets its momentum by accenting beats 2 and 4. Rock plods along on beats 1 and 3. So hearing Count Basie's big swing orchestra backing 4-piece rock acts and taking up much of Al Freed's weekly radio 'Rock'n'Roll Dance Party' on CBS will sound alien to the average tatooed 'alternative' type, happily cocooned in their privileged mainstream bubble created by big music.KING OF ROCK'N'ROLL
But Count Basie was touted as, and awarded as, the 'number one rock'n'roll band' in 1956. Basie himself said that the CBS Rock'n'Roll dance experience was the worst of his career. While his swing band were kicking goals across the US in 1956 creating new sounds by continuing to innovate, with regular radio exposure from nightclubs, lugging behind the likes of Little Richard or Bill Haley was both boring and humiliating. Further, Basie reported, when the rock bands stopped and it was just the Basie band playing, the kids headed out to the foyer. An experience I have personally had when my 1920s-30s band was used as intermission in a big Sydney venue between rock acts. So, you'll hear Count Basie today broadcasting live from jazz clubs in 1956 and from the CBS 'Rock'n'Roll Dance Party' show.VIDEO
This week's Phantom Dancer video of the week is Count Basie on TV from Birdland from 22 July 1956 on a 'Steve Allen Show'. You'll see Birdland as it was in 1956, Birdland's famous MC 'Pee Wee' and the Count playing 'April in Paris'. Enjoy! http://www.youtube.com/watch?v=1_yB-Dn6FiE8 OCTOBER PLAY LIST
Play List - The Phantom Dancer
107.3 2SER-FM Sydney, Live Stream, Digital Radio
Community Radio Network Show CRN #408
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107.3 2SER Tuesday 8 October 2019 After the 2SER 12 noon news, 12:04 - 2:00pm (+11 hours GMT) National Program:ArtsoundFM Canberra Sunday 10 - 11pm Edge FM Bega Monday 3 - 4pm7MID Oatlands Tuesday 8 - 9pm2ARM Armidale Friday 12 - 1pm3MGB Mallacoota Sunday 5 - 6amand early morning on 23 other stations. |
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Set 1 |
1939 - 40 Radio Remotes | |
Open + I'll Get By |
Tommy Dorsey Orchestra (voc) Connie Haines |
'Spotlight Bands'
WOR Mutual NY
17 Jan 1942 |
Cherokee |
Henry Busse Orchestra |
'One Night Stand'
Palladium Ballroom
Hollywood
AFRS Re-broadcast
21 Sep 1944 |
The Chinese Lullaby + Close |
Teddy Powell Orchestra (voc) Jimmy Blair |
The Famous Door
WJSV Washington DC via WABC CBS NY
21 Sep 1939 |
Set 2 |
Sweet Bands on Radio | |
I'm Grateful to You + Crosspatch |
Clint Noble Orchestra (voc) Judy Land |
WENR NBC Blue
Chicago
1936 |
Meliana E |
Harry Owens Orchestra (voc) Eddie Bush |
Mural Room
Hotel St Francis
KPO NBC San Francisco
1940s |
I Don't Know Why I Love You Like I Do + Easy Street + You Ought To Be In Pictures + Theme |
Tommy Carlyn Orchestra |
Bill Green's Casino
NBC Pittsburgh
1941 |
Set 3 |
Raymond Scott | |
Pretty Little Petticoat (theme) + Four Beat Shuffle |
Raymond Scott Orchestra |
Blackhawk Restaurant
WGN Mutual Chicago
1 Nov 1940 |
Humpty Dumpty Heart |
Raymond Scott Orchestra (voc) Roberta Louise |
Bermuda Room
Brunswick Hotel
WBZ NBC Blue Boston
6 Dec 1941 |
Runnin' Wild + Pretty Little Petticoat (theme) |
Raymond Scott Orchestra |
Blackhawk Restaurant
WGN Mutual Chicago
21 Oct 1940 |
Set 4 |
Count Basie 1956 | |
Open + Sixteen Men Swinging |
Count Basie Orchestra |
'All-Star Parade of Bands'
Birdland
WRCA NBC NY
2 Jul 1956 |
Open + Blee Blop Blues + Shake a Hand |
Count Basie Orchestra (voc) Faye Adams |
'Rock'n'Roll Dance Party'
WCBS CBS NY
21 Apr 1956 |
The Comeback |
Count Basie Orchestra (voc) Joe Williams |
'All-Star Parade of Bands'
Zardi's
KFI NBC LA
14 May 1956 |
One O'Clock Jump |
Count Basie Orchestra |
'All-Star Parade of Bands'
Zardi's
KFI NBC LA
14 May 1956 |
Set 5 |
Swing from 1930s French and German Records | |
College Stomp |
Philippe Brun and his Swing Band |
Comm Rec
Paris
28 Dec 1937 |
Georgina |
Hans Rehmstedt Orchestra (voc) Rudi Schuericke |
Comm Rec
Berlin
Jul 1939 |
Got a Date in Louisiana |
Philippe Brun and his Jam Band |
Comm Rec
Paris
8 Mar 1938 |
Tanzpueppchen (My Dancing Lady) |
Goldene Sieben (voc) Marita Gruendgens |
Comm Rec
Berlin
Nov 1934 |
Set 6 |
1930s Helen Forrest | |
The Lamp is Low |
Helen Forrest (voc) Artie Shaw Orchestra |
'Melody and Madness'
WJZ NBC Blue NY
22 Aug 1939 |
This Can't Be Love |
Helen Forrest (voc) Artie Shaw Orchestra |
Blue Room
Hotel Licoln
WEAF NBC Red NY
18 Jan 1939 |
Lilacs in the Rain |
Helen Forrest (voc) Artie Shaw Orchestra |
Cafe Rouge
Hotel Pennsylvania
WEAF NBC Red NY
21 Oct 1939 |
Where Do I Go From You? + Goodbye (theme) |
Helen Forrest (voc) Benny Goodman Orchestra |
Peacock Court
Hotel Mark Hopkins
KFRC Don Lee - Mutual
San Francisco
28 May 1940 |
Set 7 |
Coffee Songs | |
Java Jive |
The Inkspots |
'Jubilee'
AFRS Hollywood
1944 |
You're The Cream in my Coffee |
Ray Miller Orchestra (voc) |
'Sunny Meadows'
Radio Transcription
New York
18 Jan 1929 |
The Coffee Song |
Frank Sinatra |
'Command Performance'
AFRS Hollywood
10 Nov 1946 |
Set 8 |
A Date with the Duke | |
New World A-Coming (extended work) |
Duke Ellington Orchestra |
'A Date with the Duke'
Evansville In.
ABC Network
10 Jun 1945 |
Fickle Fling |
Duke Ellington Orchestra |
'A Date with the Duke'
Apollo Theatre
WJZ ABC NY
30 Jun 1945 |