National Theatre of Parramatta Presents: The Girl / The Woman
From June 28 to July 7 The National Theatre of Parramatta will present two plays written…
Arts & Culture
SFF 2018: Review – Westwood: Punk, Icon, Activist
Westwood tells the story of Vivienne Westwood, the designer that exploded with punk and had an…
The Preservation of Sydneys Transport History
Transport has been always been a central part of our cities infrastructure. What many might not…
Why is Closed Captioning Important?
When you go to the movies, you could be forgiven for not noticing if your session…
SFF 2018: Review – BEIRUT
Not even trying to be too realistic, your thriller of the week has taken a trip…
SFF 2018: Strange Colours – From Venice to Sydney
Sydney Film Festival is back for 2018! One of the films featured is Strange Colours, which…
Moral Minefield: Millennials
Have you ever been stuck in the moral mud? Have you ever faced ethical entrapment? Well…
SFF 2018: Review – SEARCHING
Before anyone says anything – we’re already looking at screens all day. Taking place entirely on…
Lorraine Elliott from ‘NotQuiteNigella’ on Anthony Bourdain
The passing of Anthony Bourdain last week has the foodie world mourning his death. Foodblogger, Lorraine…
SFF 2018: Review – JIRGA
Defying stylistic convention as that which would typically be associated with parts of rural Afghanistan, Jirga…
SFF 2018: Review – TOWER. A BRIGHT DAY
Sometimes, subtlety doesn’t actually help. A family reunion in a small Polish village isn’t your usual…
SFF 2018: Interview – Sari Braithwaite, director of Censored
Before the introduction of the R rating in 1971, films were subject to heavy censorship in…