SFF 2018: REVIEW – THE SEEN AND UNSEEN
Most stories are better without a sledgehammer to drive it’s point home, though subtlety doesn’t always…
Arts & Culture
Dark Emu
This June Bangarra presents Dark Emu, dance stories inspired by Bruce Pascoe's book. This work explores the…
SFF 2018: REVIEW – DON’T WORRY HE WON’T GET FAR ON F...
The presence of the ever-talented Joaquin Phoenix is enough to recommend a movie, even this one.…
Doggie Rescue with Monika Biernacki
Every dog deserves a chance to feel the wind in their fur and the grass beneath…
Weekend Event Guide 9-6-2018
21st Biennale of Sydney Superposition: Equilibrium & Engagement When: Saturday – Monday 9-11 June 2018 (final…
SFF 2018: Review – Number 37
There have been a lot of adaptations, homages or films otherwise inspired by Rear Window; Number…
SFF 2018: Review – Upgrade
Upgrade is a B-Movie and when the audience and the film itself embraces this, everyone is…
SFF 2018: Review – Beautiful Things
Beautiful Things opens with some striking rural vistas and a very annoying toy robot. The broad…
SFF 2018: Review – Jirga
An extraordinary journey into the heart of Afghanistan in more ways than one. In Jirga we…
THIS DAY IN HISTORY: 8TH JUNE 2018
From when Japanese submarines shell Sydney and Newcastle as part of World War 2 in 1942, to…
The Daily Reviews: Ocean’s 8
What makes a good crime caper film? 2ser film critic examines latest flick Ocean's 8 with The…
SFF 2018: Interview – Isabella Eklöf, director of Holiday
In Holiday, a new Danish film playing at the Sydney Film Festival, a young woman, Sascha,…