‘All Auras Touch’ – Kate Mitchell
Looks are important, or at least that's what society says. We all keep up appearances one…
Carriageworks
Joyous Hip Hop Battle
TWO CREWS AUSTRALIAN PREMIERE THURSDAY 9th JANUARY 2019 CARRIAGEWORKS, SYDNEY FESTIVAL Review by Paris Pompor What…
Radiant Flux: Carriageworks
This morning Nicole chatted with Rebecca Bauman about their exciting new kaleidoscopic installation at Carriageworks. …
plenty serious TALK TALK
plenty serious TALK TALK. is a solo work by Vicki Van Hout that defies genre, categorisation…
Disaspora Bingo
"But you're a good driver?", "You're a coconut", "Eurasians are hot" - to the Asian Australians…
Matthew Sleeth’s ‘A Drone Opera’
In this day and age, you can’t deny that we’re a society dominated by new media…
Intensity and improvisation – Open Frame
Open Frame is a project held by Room40 and Carriageworks focused on the nexus between sound,…
Review: Neneh Cherry, Sydney Festival
NENEH CHERRY TUESDAY 15 JANUARY 2019 CARRIAGEWORKS, SYDNEY FESTIVAL Review by PARIS POMPOR Whether as a…
Review: Ben Frost, Carriageworks
BEN FROST SATURDAY 12 JANUARY 2019 CARRIAGEWORKS, SYDNEY FESTIVAL Words: PARIS POMPOR Photos: VICTOR FRANKOWSKI There were…
Adam Lazarus and his show Daughter
Adam Lazarus joins Stages in this compelling interview about his show Daughter for Sydney Festival. He's…
Sydney Dance Company’s PPY18 Revealed Showcase
For a lot of us, our interaction with dance doesn’t go past the club dancefloor or…
LE DERNIER APPEL (THE LAST CRY)
Australian and New Caledonian First Nations dancers and feature designs encapsulate New Caledonia's upcoming referendum in …