SFF 2018: Review – Westwood: Punk, Icon, Activist
Westwood tells the story of Vivienne Westwood, the designer that exploded with punk and had an…
Sydney Film Festival
Why is Closed Captioning Important?
When you go to the movies, you could be forgiven for not noticing if your session…
SFF 2018: Review – BEIRUT
Not even trying to be too realistic, your thriller of the week has taken a trip…
SFF 2018: Strange Colours – From Venice to Sydney
Sydney Film Festival is back for 2018! One of the films featured is Strange Colours, which…
SFF 2018: Review – SEARCHING
Before anyone says anything – we’re already looking at screens all day. Taking place entirely on…
SFF 2018: Review – JIRGA
Defying stylistic convention as that which would typically be associated with parts of rural Afghanistan, Jirga…
SFF 2018: Review – TOWER. A BRIGHT DAY
Sometimes, subtlety doesn’t actually help. A family reunion in a small Polish village isn’t your usual…
SFF 2018: Film Fight Club Sydney Film Festival Special 1
It's film nerd Christmas. Glen, Chris and Virat were very excited to punch on with a…
SFF 2018: Review – A Season in France
Still disturbed by nightmares, and easily spooked by unexplained sounds, Abbas is waking up in the…
SFF 2018: Interview – Rosie Lourde, actress in Chocolate Oyster
Chocolate Oyster is an Australian indie comedy premiering tonight at the Sydney Film Festival. Shot in…
SFF 2018: Review – Zama
Zama is a very sedately paced, Heart of Darkness style story in an 18th century Spanish…
SFF 2018: Review – A Mother Brings Her Son to be Shot
This Irish documentary from Sinéad O'Shea kicks off with a confronting display where a child shows…