SFF 2018: Interview – Huang Hsin-Yao, director of The Great Budd...
The Great Buddha + is a dark Taiwanese social satire that follows men on the fringes…
Sydney Film Festival
SFF 2018: Interview – Marcello Martinessi, director of The Heire...
The Heiresses is a new Paraguayan drama examining class and love among elder aristocratic women. The…
SFF 2018: Interview – Nandita Das, director of Manto
Saadat Hasan Manto was one of the most prolific writers to emerge from the subcontinent in…
SFF 2018: Interview – Ant Timpson, producer of The Field Guide t...
As part of the Freak Me Out strand at Sydney Film Festival, The Field Guide to…
SFF 2018: Interview – Pengfei Song, writer/director of The Taste...
The Taste of Rice Flower is a new Chinese film screening this Sunday at the Sydney…
SFF 2018: Samui Song
You probably saw that coming, but it won’t matter. Thai filmmaker Pen-Ek Ratanaruang’s latest could laxly…
SFF 2018: Review – RocKabul
Film festivals are always good for challenging aspects of life that you may have only seen…
SFF 2018: Interview – Pen-ek Ratanaruang, writer Director of Sam...
Samui Song is a new thriller from Thailand in the film noir tradition, screening at the…
SFF 2018: Review – America Town
America Town opens with a view of a snow covered field strewn with condoms and US…
SFF 2018: Movie Review – Upgrade
Who doesn't love an Upgrade?
SFF 2018: Meet Sunday Emerson Gullifer, recipient of a Lexus Australia...
The Lexus Australia Short Film Fellowship is the largest cash fellowship for short film in Australia,…
SFF 2018: Review – Samui Song
Noir is a well worn path so there needs to be something new added to make…